OUTSTRIPPING GRAVITY
For Robert Turner: 1946-
The night of the day I now know you'd died
thousands of miles north of here, I couldn't
face the mad frown of the full tropical moon.
Any moment it would rise from its false-
dawn glow on the rim of cliffs that billow
behind avenues twinkling tier after tier
to exclusive crests.
Had I faced it as I try to in memory of you,
would I have felt anger and confusion
in your spirit, its need to return to the earth
willingly left in perfect turbulence
twenty years to the day after you'd first
shouldered the odds against touching down
from serious bird games?
Not for you that transit jail of ghosts
suspended in their manias and longings,
who once or twice a year stampede towards
us when the tug of waters breaks their bounds.
Only your body dropped, intact but for a bruise
on the nose you said was a nuisance
at icy altitudes.
Hard to believe the morning after the news,
the moon swimming on its back as I paddle
through black sand and the sea's indifference,
till one gull stands its ground then scales sheer
rock without straps, cramp, crackling radio
or freak eddy to crumple the kite that makes it
lighter than air,
circling like you to cherish our screwed-
searches and the lives your vision changed,
before soaring into the unexplored on thermals
no bird dreamed of but you had practised,
as if for the long cruise from which you may
come burning back to teach us in other ways
that heights depend on scale and there's more
to flight than flying.
In December 1999 Shoestring Press published Reaching for a Stranger, which complements
the earlier collection, Learning Not to Touch, providing a bridge to this, his first
full-
The four sections of Outstripping Gravity read as entities preoccupied respectively
with rootedness, relationships, notions of escape, the imponderable. But cross-
Acknowledgements
Earlier versions of some of these poems have appeared in:
Agenda, Envoi, Iota, Leicester
Poetry Soc. Anthologies'98 & '99, Orbis, Other Poetry, Poetry Nottingham, Poetry
Now, Prop, Seam, Staple, Tabla '98, Tears in the Fence, The Affectionate Punch, The
Penniless Press, The Rialto, The Swansea Review, This Is.
Thanks are due to Shoestring
Press for permission to include two poems from Reaching for a Stranger, and to Tom
Tolkien for assembling some of these poems in publishable form (as Turn of the Tide)
for the East Midlands Arts New Voices Tour (1998)
The author is especially grateful to John Forth and Paul McLoughlin for their detailed
and challenging appraisals and suggestions.
The cover illustration is from a painting
by Dorothy Harding in The Book of Myths by Amy Cruse (Harrap:1925) Thiassi carries
off Loki attached to the stick with which he attacked the disguised storm giant.
*
Epigraph
'Two errors: first, to take everything literally; secondly, to take everything spiritually...'
(Blaise Pascal: Pensees:1670)
This book can be obtained from Forest Books, Amazon or direct from the author (use Contact page)
A5 soft covers
83pp, monochrome illustrations